HomeMy WebLinkAbout034-R-173/29/2017
34-R-17
A RESOLUTION
Authorizing the City Manager to Accept the Donation of
"Up Down East West (Wacker Lobby Molecule)" and "Up Down East
West (South Franklin Molecule)," Paintings by Artist Keith Tyson
WHEREAS, the City of Evanston implemented a public art program in
1989 encouraging the acquisition of works of art for public places pursuant to
Ordinance 112-0-89; and
WHEREAS, Irvine Company desires to donate "Up Down East West
(Wacker Lobby Molecule)" and "Up Down East West (South Franklin Molecule)" by
artist Keith Tyson to the City of Evanston; and
WHEREAS, "Up Down East West (Wacker Lobby Molecule)" was
appraised by Joel Straus of Joel Straus Consulting on January 25, 2017 at a value of
$375,000.00, attached hereto and incorporated herein as Exhibit A; and
WHEREAS, "Up Down East West (South Franklin Molecule)," was
appraised by Joel Straus of Joel Straus Consulting on January 25, 2017 at a value of
$375,000.00, attached hereto and incorporated herein as Exhibit A; and
WHEREAS, accepting this donation is in the best interest of the City of
Evanston; and
WHEREAS, the City Council desires to accept the donation.
NOW BE IT RESOLVED BY THE CITY COUNCIL OF THE CITY OF
EVANSTON, COOK COUNTY, ILLINOIS, THAT:
33-R-17
SECTION 1: The donation from Irvine Company of two pieces of artwork
by artist Keith Tyson entitled "Up Down East West (Wacker Lobby Molecule)" and "Up
Down East West (South Franklin Molecule)" is hereby accepted into the public art
collection of the City.
SECTION 2: The City Manager is hereby authorized and directed to
execute such deed of gift, agreement, or other documents that may be required to
receive the pieces of artwork entitled "Up Down East West (Wacker Lobby Molecule)"
and "Up Down East West (South Franklin Molecule)" as he may determine to be in the
best interests of the City and in a form acceptable to the Corporation Counsel.
SECTION 3: Resolution 33-R-17 will be in full force and effect from and
after the date of its passage and approval in the manner provided by law.
At
Rodney Greeqi,'City Clerk
Adopted: 12017
Eli a eth B. Tisdahl, Mayor
—2-
0
33-R-17
EXHIBIT A
Replacement Value Appraisal Report
Prepared by Joel Straus Consulting
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TABLE OF CONTENTS
COVER LETTER AND SCOPE OF WORK .................. ........ ........... ......................... .................4
GENERALCONDITIONS . ........................ ........... ................ -- ....................................8
LIMITING CONDITIONS AND CRITICAL ASSUMPTIONS ......... .................... ......... - ......... 10
USPAPPLEDGE .......... ......... ............ ........ ............ ...................... ............ --12
APPRAISALITEMS ...... -- .............................. ............... -- .... .............. .......... .......... 14
REPORTTOTALS---. .......... ................ 4-- ........ -- .......... ....... - .............. .............. 20
ADDENDUM....... 1. ...... --ill ... -- .... ... .......... ................... - .... ..... -- ....... ... 22
CREDENTIALS.............. ............ ...... ............. ...... - .................... --l' ...... - ................. 24
BIBLIOGRAPHY........................ ....................... ... . .................. .............. ---- ......... -30
Effective Date: 0125,2017 Prepared by Joel Straus Consulting Page 2 of 30
JOEL STRAUS CONSULTING
610 N. Fairimnks Ct., 3, Fl. Chicago • illinois 60611 • jtstratisC'isartconsulting.com Office 77:3.769.1997 • Cell 773.769.1 166
is
Report Date: March 10, 2017
Appraisal Objective: Replacement Value Appraisal
Appraiser: Joel Straus Consulting
Client: James Sinsheimer
Irvine Company Office Properties
• 111 Innovation Drive
Irvine, California 92617
• Art Location: 170 S Wacker Dr.
Chicago, Illinois 60606
Inspection Date, January 25, 2017
Effective Date of Appraisal: January 25, 2017
• Total Replacement Value: $750,000
Appraisal Scope of Work
r The Client requested that JSC develop this USPAP compliant Appraisal Report for the Intended
Use of updating the Replacement Value for Insurance Coverage of the Client's two (2) paintings
by Artist, Keith Tyson (the "Art"). The Client has warranted that they are the owners of the Art
and the Art is free and clear of any claims, liens, encumbrances or interests of others.
Intended Use and Users
This Appraisal Report is to be used ONLY for the Intended Use as of the Effective Date of this
00 Report. This Appraisal Report is for the exclusive use of the Intended User(s) who are you, the
P Client, the Client's Building Manager and the Client's insurance broker, and underwriter.
Appraisal Objective Considerations
P in consultation with the Client, the Appraiser determined that the Objective of this Appraisal is
Lp to establish the Retail Replacement Value Used (Comparable) for the two (2) Subject Properties
Lp listed herein.
There are two types of Replacement Values: Retail Replacement Value New and Replacement
Value Used. Appraiser considered using Replacement Value New for this Report, which is not
appropriate for the Subject Properties. The Replacement Value Used is the value employed
herein.
Replacement Value New is defined as the value "necessary to replace an item of
personal property with a new item of like kind, quality, and utility."'
J
R Replacement Value Used (Comparable) is defined as: "the value necessary to replace
the items being appraised with similar items of property of like kind, age, quality, and
utility, having similar wear and tear, decay or defects, and obsolescence as the items
being appraised."
Effer%ve Date 01.25.2017 Prepared by Jost Straus consustfng Page 4 of 30
r
State sales tax, packing, shipping, and installation costs has not been included in the
' Replacement Value.
Appraisal Approaches
There are three Approaches or methods to measure the worth or cost of a property:
Sales Comparison Approach: Compares the, "Subject Property with similar
properties, which have been sold in the past""'
Cost Approach: "Compares the item being appraised with the cost to replace (by
purchase, production, or reproduction) the item with a new
comparable substitute."'°
Income Approach: "Involves the comparison with the income producing record of
similar property and/or the application of the present value
formula to determine the present value formula to determine
' present worth of an income anticipated to be generated in the
future through sale or lease.""
This Appraisal makes use of the Sales Comparison Approach to determine the Replacement
Values. Consideration has been given to the Cost Approach and the Income Approach, and the
Appraiser has determined that these approaches are not appropriate for use in this report
because the Cost Approach infers that the Subject Property can be faithfully reproduced with an
identical new item. The Income Approach infers that the Subject Properties are income
producing, but the Subject Properties are not.
Market Considerations
The Determination of Replacement Value requires analyzing and selecting the appropriate
' market place or "Market" to research the sales data. The choice of Market is based on the
Intended Use and Objective of the Appraisal. Considering this Appraisal's Intended Use and
Objective, the primary consideration in selecting the market is based on where the Client has
. purchased and would most likely replace the Subject Properties. There are four primary
Markets: Orderly Liquidation, Distressed Liquidation, Wholesale, and Retail. Both
Liquidation Markets are the result of imposed time limitations needed to complete the sales.
This is not the situation for the Client, therefore, these Markets would not be appropriate for this
Appraisal. The Client is not a wholesaler or dealer therefore the Wholesale Market is not
appropriate. The "Retail Market is the market in which properties are sold at retail, i.e. to the
end consumer"*'
It is the understanding of the Appraiser that the Client purchased the Subject Properties directly
from the Artist retail, therefore, the Retail Market has been selected. Auction Databases Artnet
and Blouin Art Index were used to help substantiate the Value, but there were not appropriate
comparable properties. Appraiser contacted Pace Gallery, London who is the Artist's primary
dealer and the source most appropriate to assist in the determination of the Replacement
Value.
Appraiser's analysis has been made with consideration of the art market on the Effective Date
of this Appraisal and generally reflects the current nature of the market for the Art. As of the
Effective Date, the market conditions are reported to be stable except as noted.
Effective Date: 01.25.2017 Prepared by Joel Straus Consulting
Page 6 of 30
Inspection of Art
Appraiser inspected the Subject Properties to obtain details, descriptions and to evaluate the
general condition of the Subject Properties. The Condition of the Property is noted in the
Property description. Appraiser inspected the Art on January 25, 2017 at 170 S Wacker Dr.,
Chicago, Illinois 60606.
GENERAL CONDITIONS
This Appraisal is subject to the following General Conditions:
• Statements by the Client, Dealers, and others associated with this Appraisal are taken to be
true and accurate.
• No liens, fractional interests or other encumbrances are understood to exist.
• This Appraisal is not an indication of the Ownership of the Subject Properties.
• The images reproduced here in the body of this document were taken by the Appraiser. The
images in this Report have not been altered except for cropping, correcting parallax,
exposure, and color balance.
• The descriptions were written by JSC.
• The Subject Properties contained in this Appraisal are readily identifiable and authentication
has not been performed.
• Replacement Values are in US Dollars and have been rounded to the nearest amount.
• No change to any item in this Appraisal shall be made by anyone other than the Appraiser.
Misuse or alteration of this Appraisal, such as using the Appraisal for any purpose or
Intended Use other than that stated above, is prohibited and shall render this Appraisal null
and void.
• With the exception of the Client, possession of this report or its copy does not cant' with it the
right of publication. If this report is reproduced, copied or otherwise used it must be done so
in the report's entirety including the cover document and all attachments or it shall be
considered invalid. This Report cannot be used by anyone other than the Client or Intended
Users without Appraiser's previous written consent.
• The contents of this Appraisal are considered confidential and the Appraiser shall
not disseminate this report except to the Client, or to a third party with the Client's
written permission, or for peer review, or as ordered by a jurisdictional or legal
authority.
• Field Measurements were not undertaken.
• The values expressed are based on the Appraiser's best judgment and opinion and
Effective Date: 01.25 2017 Prepared by Joel Straus Consulting Page 8 of 30
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are not a representation or warranty that the Items will realize that value if offered for sale at
auction or otherwise. The values expressed are based upon information
available as of the Effective Date of the Appraisal, and no opinion is expressed as
to any future values or Values subsequent to the Effective Date, unless otherwise stated.
LIMITING CONDITIONS
Limiting Conditions are conditions that materially affect the appraisal process and
materially affect the value conclusion.
The following are LIMITING CONDITIONS pertaining to this Appraisal:
• Subject Property was inspected in available light and was not subject to Infrared light
inspection.
• Extensive Condition Reports were not undertaken by the Appraiser but were sufficient to
note any impact of Value.
• The large scale of the Subject Property prevented field measurements and so the
dimensions were provided by the Client and are assumed to be correct.
CRITICAL ASSUMPTIONS
Critical Assumptions are assumptions directly related to a specific assignment
that could be contrary to actual fact and which, if contrary to actual fact, could result
in a different value conclusion.
• All information imparted by the Client is assumed to be correct, true, and accurate.
• All information imparted by the Market Sources is assumed to be correct, true, and
accurate.
• Appraiser assumes authorship of the Art to be authentic.
HYPOTHETICAL CONDITIONS
Hypothetical Conditions are conditions that are contrary to what exists as of the
effective date of the Appraisal, but that is supposed for the objective of analysis.
• There are no Hypothetical Conditions.
The remainder of this page is intentionally left blank.
Effective Date: 01 25-2017 Prepared by Joel Straus Consulting
Page 10 of 30
UNIFORM STANDARDS OF PROFESSIONAL APPRAISAL PRACTICE PLEDGE
USPAP CERTIFICATION
"I certify, to the best of my knowledge and belief, that:
1. The statements of fact in this Report are true and correct.
2. The reported analyses, opinions and conclusions are limited only by the reported Critical
Assumptions and Limiting Conditions are the Appraiser's personal, impartial, and unbiased
professional analyses, opinions, and conclusions.
3. Appraiser has no undisclosed past, present financial interest in the Property that is subject
of this Appraisal, and has no personal interest with respect to the Parties involved.
4. Appraiser has performed no services, as an appraiser or in any other capacity, regarding the
Subject Properties under review within the three-year period immediately preceding the
acceptance of this assignment.
5. Appraiser has no bias with respect to the Property that is subject of this report or to the
Parties of this assignment.
6. Appraiser has not misrepresented his role while providing Appraisal services.
7. Appraiser's engagement in this assignment is not contingent upon developing or reporting
pre -determined results.
a. Appraiser's compensation for this Appraisal is not contingent upon development or reporting
of pre -determined values or directions in value that favor the cause of the Client, the amount
of the value opinion, the attainment of stipulated results, or the occurrence of a subsequent
event directly related to the intended user of this Appraisal.
9. No one provided significant appraisal, appraisal review, or appraisal consulting assistance
to the Appraiser signing this certification.
10. Appraiser has personally inspected the Subject Property of this report except as noted on
the entry of specific Subject Properties.
11. This Appraiser's analysis, opinions and conclusions were developed in conformity with bath
ISA Report Writing Standards and the 2016-2017 versions of USPAP Report Writing
Standards and Ethics."""
Appraiser:
Joel Straus, P sident
Joel Straus Consulting, Ltd
ISA Appraiser
EiN 61-1447734
USPAP Compliant 514/15
Effective Date: 01,25,2017 Prepared by Joel Straus Consulting Page 12 of 30
° Core Course to Approisof Studies (Intemational Society of Appraisers, 2016), GL-9.
Ibid.
' Ibid., GL-10.
Ibid., GL-3.
w Ibid., GL-6.
Ibid., GL-10.
Ibid., 19-10.
Effective Date: 01,25.2017 Prepared by Joel Straus Consulting Page 13 of 30
APPRAISAL ITEMS
Effective Date. 01.25.2017 Prepared by Joel Straus Consulting Page 14 of 30
1
1.
Replacement Value: $375,000.00
Artist:
Tyson, Keith (b. 1969)
Title:
Up Down. East West (Wacker Lobby Molecule)
Dater
2004
Medium:
Acrylic or Aluminum Panels
Dimension:
480 x 120 in.
Description:
Vertical framed acrylic painting on four aluminum panels. Floating on a field of yellow,
multicolored spheres are linked together referencing atoms that are bonded to form a large
complex molecule or molecules. Most of the atoms appear to have a white nucleus which
visually serves as a highlight and enhances the illusion of spherical dimension. Ascending
about one third uo from the bottom is a blue gray vertical rectilinear form that is in the same
depth of field as the yellow field background. The atoms generally are less dense and smaller
at the lower regions of the painting. The atomic forms increase in size and density from the
lower to the upper regions on the painting. At the lop of the painting the number of atoms fill
the field and almost completely obscure the yellow field.
The Wacker lobby Subject Property is distinguished by a large teal sphere that is occupying
most of the top sixth of the painting.
Effective Date 01,25.2017
Prepared by Joel Straus Consulting Page 16 of 30
El
Replacement Value: $375,000.00
Artist:
Tyson, Keith (b. 1969)
Title:
Up Down East West (South Franklin Molecule)
Date:
2004
Medium:
Acrylic on Aluminum Panels
Dimension:
480 x 120 in.
Desctiiption:
Vertical framed acrylic painting on four aluminum panels. Floating on a field of yellow,
multicolored spheres are linked together referencing atoms that are bonded to form a large
complex molecule or molecules. Most of the atoms appear to have a white nucleus which
visually serves as a highlight and enhances the illusion of spherical dimension. Ascending
about one third up from the bottom is a blue gray vertical rectilinear form that is in the same
depth of field as the yellow field background. The atoms generally are less dense and smaller
at the lower regions of the painting. The atomic forms increase in size and density from the
lower to tt:e upper regions on the painting. At the top of the painting the number of atoms fill
the field a-ul almost completely obscure the yellow field.
The Franklin Street Subject Property is distinguished by a saturated magenta sphere that is
in the upper left corner which appears to have one third of its body floating off the frame with
smaller atoms In the foreground. Additionally, the Subject Property has two bold and
saturated blue spheres.
Biographer:
Keith Tyson (b. 1969, Ulverston, Cumbria, England) began working as an apprentice
engineer making nuclear submarines after leaving high school at age 15. Deciding to pursue
art, he quit the shipyards and gained admission to the Carlisle College of Art, England,
graduating in 1990. He earned his M.A. in Alternative Practice at the University of Brighton,
England in 1993. Incorporating systems of logic, scientific methodology and chance into his
artistic oeuvre, Keith Tyson captivates audiences with his quest for comprehension, while
evaluating the limits and infinites of his environment. His expression of both hypotheses
Effective Date 01.25 2017
Prepared by Joel Straus consulting
Page 17 of 30
and conclusion is conceptually founded and expressed in varying media, such as painting,
drawing and sculpture. Tyson's paintings, drawings, and sculptures have been the subject of
more than 20 solo exhibitions since 1995 and over 100 group shows since 1990. In addition
to receiving the 2002 Turner Prize for his show'Supercollider' at the South London Gallery,
Tyson received an Honorary Degree of Doctor of Letters from the University of Brighton
(2005) and the ICA Arts and Innovation Award, London (1996). He presently lives and works
in London, UK.
Effective Oate, 01.25.2017 Prepared by Joel Straus Consulting
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REPORT TOTALS
Total Replacement Value: $750,000.00
Effective Bate: 01,25.2017
Prepared by Joel Straus Consulting
Page 20 of 30
F J,, 0191 1 il
Effective Oate: 0115 2017 Prepared by Joel Straus Consulting Page 22 of 30
CREDENTIALS
►
►
► Effective Date• 01,25 2017 Prepared by Joel Straus Consulting Page 24 of 30
}
Joel T. Straus
Professional Profile
Founder and CEO of Joel Straus Consulting, Ltd. (JSC)
Professional Appraiser
610 N. Fairbanks Ct. 3rd Fl.
Chicago, Illinois 60611
Tel 773.769.1166 Fax 224.999.4166
e-mail jtstraus@jsartconsulting.com
Joel Straus established Joel Straus Consulting Ltd. in 1996 to provide a complete range of art -related
services, including art appraisal, art programming, and collection management, to municipalities, private
collectors, corporations, foundations, and hotels nationwide.
Joel Straus offers professional fine art appraisal reports in accordance with Uniform Standards of
Professional Appraisal Practice (USPAP) for estate planning, charitable donations, resale, and insurance
purposes. Straus has over 30 years combined experience in premier contemporary art galleries and with
public art collections. His advanced knowledge of contemporary art makes him uniquely qualified in the
appraisal of fine art in all media. Particularly experienced in site -specific and installation artwork, Straus
is well -versed in the technical aspects of suspended, relief, and free-standing sculpture as well as
various other forms of large-scale public art. Straus is a member of the International Society of
Appraisers.
Appraisal Experience
2009-present Appraisal Services to Corporate and Private Clients
(Client names are held in confidence per USPAP requirements)
2010 "Chicago Picasso," Chicago Public Building Commission, Chicago, Illinois
2004-2009 Washington D.C. Convention Center Art Collection, Washington, District of Columbia
1999-2007 McCormick Convention Complex Art Collection, Chicago, Illinois
Professional Experience
2015-2016 Advisor to Ritz Carlton, Chicago, IL
2015-2016 Advisor, 1788 Holdings, Bethesda, MD.
2014 Art Advisor, L2 Hotel, Chicago, iL
2013-2014 Project Director Sculptural Water Feature National Center of Civil and Human Rights,
Atlanta, GA
2012- Advisor, Estate of Dawn Clark Netsch, Chicago, Illinois
2011-2012 Partner, Director of Special Programs, Expo Chicago, Chicago, Illinois
2010-2011 Master Planner, Consultant, Nashville Music City Center Art
Collection, Nashville, Tennessee
2005-2011 Project Planner, Director, Consultant to the Meridian Group, LLC,
National Gateway at Potomac Yard, Arlington, Virginia
2004-2009 Managing Curator, Washington D.C. Convention Center Art Collection, Washington, D.C.
2003-2006 Project Planner, Director, Consultant to the City of Palm Beach Gardens, Palm Beach
Gardens Viaduct Sculptures, Palm Beach Gardens, Florida
1999-2007 Managing Curator„ McCormick Convention Complex Art Collection, Chicago, Illinois
2000-2004 Master Planner, Curator, Consultant to the Washington D.C. Convention Center Authority,
Washington D.C. Convention Center Art Collection, Washington, District of Columbia
2001-2003 Project Planner, Director, Consultant to the City of Palm Beach Gardens, Palm Beach
Gardens City Hall Complex, Palm Beach Gardens, Florida
Effective Date: 01,25.2017 Prepared by Joel Straus Consulting Page 26 of 30
1998-2000 Project Planner, Director, Consultant to the Dow Foundation, Dow Centennial Garden and
Sculpture, Midland, Michigan
1997-1998 Consultant to the Frey Foundation, Maya Lin / Monroe Center Re -development, Grand
Rapids, Michigan
1996-1998 Master Planner, Curator, Consultant to Larson Associates Architects, McCormick
Convention Complex Art Collection, Chicago, Illinois
1999 - 2006 Collection Consultant, Eugene von Bruenchenhein Estate, Chicago, Illinois
1984 -1995 Assistant Director, Richard Gray Gallery, Chicago, Illinois
Education
2015 Uniform Standards of Professional Appraisal Practice Course, Appraisers Association of
America
2009 Uniform Standards of Professional Appraisal Practice Course, Appraisers Association of
America
2009 Core Course in Appraisal Studies, International Society of Appraisers
1984 Wake Forest University, BA, magna cum laude, Art History and Studio Art, Winston-
Salem, North Carolina
1979 Penland School of Crafts, Penland, North Carolina
1977-1978 Washington University, St. Louis, Missouri
Honors and Awards
2004 Americans for the Arts, Year in Review Selection: Most innovative public art project of the
year: Washington Convention Collection, Washington, DC, 2003
2004 Americans for the Arts, Year in Review Selection: Most innovative public art project of the
year: Costas Varotsos, "Contiguous Currents" Palm Beach Gardens Florida, 2003
1984 Phi Beta Kappa, Wake Forest University Chapter
1983 Judges Award, Wake Forest University award for outstanding work in studio art
Lectures and Panels
2011 Workshop Leader, "How to Respond to an RFQ" and "How to Present a Winning Finalist
Proposal," Metro Arts Commission, Nashville, Tennessee
2010 Workshop Leader, "Art in Public Places," City of Austin, Austin, Texas
2009 Workshop Leader, "Public Art Project Management," New England Foundation for the
Arts, Boston, Massachusetts
1999 Lecturer, "The American Market," Canadian Consulate, SOFA Exposition; Chicago, Illinois
1999 Lecturer, "Developing Successful Artist's Portfolios," Chicago Artist's Coalition; Chicago,
Illinois
1997 Panelist, "Public Art: How Far Is Too Far," The American Art Dealers Association, Art
Chicago International Exposition; Chicago, Illinois
Professional Affiliations
2011-Present Chicago Artists Coalition, Board Member, Chicago, Illinois
2009-Present International Society of Appraisers
2000-Present The Arts Club, Chicago, Illinois
Effective Date 01,25,2017 Prepared by Joel Straus Consulting
Page 27 of 30
2000-2001 The Renaissance Society, Annual Benefit Committee, Chicago, Illinois
1999-2008 The Society for Contemporary Art, The Art Institute of Chicago; Chicago, Illinois
Selected Biblioaraphv
Koff, Art. "How to sell, gift and beaueath cherished artwork," MarketWatch.com, March 27, 2015.
Bryant, Eric. "10 Thinas to Know About Choosino an Art Adviser," Art and Auction, Blouin Art Info,
October, 2013.
Julia Halperin, "Was Expo Chicago a Success? Dealers Dish on the Fair's Ambitious First Edition,"
Blouin Art Info, September 2012.
Basa, Lynn, The Artist's Guide to Public Art. New York: Allworth Press, 2008.
Bastian, Kevin M., "Mural Art Casting: A Step -By -Step Look," Modern Casting, July 2000: Pg. 42-44
Cub, Christine, "WCVA Budgets $4M for New Center's Artwork," The Washington Business Joumal, May
12-18, 2000: Pg. 3,117
Hassebroek, Ashley, "Lack of Art Could Hurt Convention Center: While Omaha Lacks Funds for Art,
Other Cities Say it is Needed to Define and Enhance the Image of the Facilities," The Omaha World -
Herald, June 24, 2002: Living; I
Lassar, Terry J., "Unconventional Art Spaces: A New Crop of Convention Centers is Connecting with the
Surrounding Community Through Art," Urban Land, October 2003: Pg. 125-129
Lawrence, Lee, "Redistricted: A Shaw Renaissance, New Convention Center and Burgeoning Little Arts
Venues are Making Gains on the Capital's Treasures," Americanstyle, April 2004: Pg. 46-53
Levere, Jane, "In the Loftiest of Buildings, Hfgh Art Still Finds a Home," The New York Times, December
30, 2009: Pg. B5
Magner, Jim, "Art on Capitol Hill: The New Convention Center," Hillrag, March 2003: Pg. 68
McCormick, Brian, "Asset Appreciation: Art and Commerce," Crain's Chicago Business, June 18, 2001:
Pg. 15, 18, 20
Newman, Christine. "Rooms with Memories," Chicago Magazine, April 2008: 60-68
Richards, Chris, "Where Size Matters: At the Convention Center, the Art Fits the Space," The
Washington Post, Nov. 13.2003: C5
Shaw -Eagle, Joanne, "Convention Center Hires Art Consultant," The Washington Times, Feb. 1, 2001:
D5
Shaw -Eagle, Joanne, "Center Gets Human Touch: $4 Million Worth of Artworks to Help Convention
Behemoth Take on a More Intimate Feel," The Washington Times, Jan. 1, 2003: D1, 5
Shaw -Eagle, Joanne, "Convention Center Offers Dramatic Art: $4 Million Collection Fits Site," The
Washington Times, Nov. 15, 2003: 131-2
Williams, Kevin M., "Art Gains a Place at McCormick Place South," The Chicago Sun -Times, March 3,
1999: 47
Effective Qate: 01.251017 Prepared by Joel Straus Consulting Page 28 of 30
. BIBLIOGRAPHY
"Keith Tyson." Artspace. Accessed March 9, 2017. htto://www.artsr)ace.com/keith tvson.
"Pace Gallery - Keith Tyson." Pace Gallery. Accessed March 9,
2017. http://www.pacegallerv.corn/artistsl477/keith-tvson.
Effective Date: 01.25 2017 Prepared by Joel Straus Consulting Page 30 of 30